Archives for category: black

I made these two geometric chalk on board pieces as a commission for Art Loves. They are both 110cm squared and to be hung as a diptych.

shape.jpg

I presented this painted black gloss shape on black matte wall at a recent studio critique. It was accompanied by this sound piece, played through a powerful stereo:

It was sufficiently loud that it caused objects within the room to vibrate.

The group discussion read the combination of sound and visuals as being oppressive and ominous, combining to create an atmosphere suggestive of religious cult rituals or sinister political gatherings.

It was felt that the work presented in this crit represents a departure from previous work. The black gloss symbol has nothing of the organic, gentle feel of the pencil drawings. It is extremely assertive and dogmatic; very oppositional and uncompromising in every way, to the point of feeling threatening. It suggests none of the time based creative process of the pencil drawing.

I am gradually assessing where I go from here. The shape is just an arrangement of painted lines, although I can understand why it was interpreted in these ways. I do feel that playing with sound and visuals with a certain charge and potency has potential, though I want to find ways to puncture the pomposity these signifiers carry, to promote recognition of their ultimate absurdity.

angular form

This is another summer drawing, created with a pre determined set of rules. White chalk on black wall continues the mathematical, scientific blackboard aesthetic of recent work. The form is composed of sharp angled triangles repeated to form a curved whole. Evidence of mistakes and revisions contribute to a sense of the organic, the working out of ideas.

Angular form 2

Here are some photographs of the three drawings I created for the end of year exhibition at the Belfast School of Art. I realised I need to include more ones of the room to achieve a sense of scale.

install shot install 2install3 install 4

nest

Further wall drawing, further following of rules.

ohp

nest2

d r a w i n g

The plug socket is included to give a sense of scale.

finished

1stblob

I cut out the traced blob indentation shape that keeps recurring in this work and projected it using this antiquated overhead projector; the reliable, clunky type I remember from school.

5blob

I moved the projector across the floor. The shadow shape was repeated at intervals across the wall five times.

layer blob

The projector was moved progressively closer to the wall, and the resultant shadows drawn around. This made these concentric blob shapes.

bloblayered

I continued to work using this process at at intervals until the day of our group critique, the predetermined finish point.

blobangle

The piece was accompanied by a fifty second tape recording I made by digitally slowing a ten second recording of me playing bass drum and hi-hat down. I shifted the pitch down and added a series of effects using a program called Wavepad sound editor. I chose analogue audio tape because of its warm hiss, it’s imperfection. The piece was interpreted as the sound of marching boots, or of an industrial process involving heavy machinery.

Fellow students and teaching staff thought that the sound and the drawing seemed to coalesce to a greater extent than before.

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